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East 64 Films Corporatesite

east64films.com
East 64 Films Corporatesite website, live site

Live capture at 1440px, 2026-10-24

How it’s built

Layout
A charcoal portfolio view centers a vertical sequence of broad rectangular film images: partial image at top, large middle image and partial image below. Tiny company description stays upper left, small serif identity overlays the top image and tiny navigation/language links sit upper right. Across the middle, a horizontal project index spreads number/title on left and client/type/year columns on right; one row is white with a small triangle while neighboring rows fade into dark. Follow links and small white contact rectangle occupy bottom corners.
Type
Almost all interface text is small plain sans; compact serif identity and title artwork inside one film frame belong to different roles. Selected index row brightens without becoming oversized.
Color and surface
Flat dark charcoal, saturated photographic film frames, bright white selected metadata and low-contrast gray surrounding rows; simple white contact rectangle.
Components
Central image sequence, lateral metadata index with highlighted row, sparse peripheral navigation, follow links and contact action.

What makes it work

  • Charcoal field with broad side margins
  • Central wide rectangular image sequence
  • Tiny multi-column project metadata with one bright row and dim neighbors
  • Sparse peripheral navigation and contact
On a new subjectFor an oral-history preservation archive, center a sequence of original interview stills on charcoal with wide dark margins. Align small item number, title, collection, recording type and year across the middle; keep one row bright and neighboring rows subdued. Replace commercial films and metadata, retaining sparse corner navigation.

Measured

Fonts loadedmatrix-ii-ext-semi-narrow, helvetica-neue-lt-pro
H144px / 400
Body text16px
Page background#222222
Text color#ece9e2
Page height1,000px

Computed CSS at 1440px, 2026-10-24.

Live behavior

Today
Charcoal film-index composition with tiny cream sans utilities and a small classical serif identity. A contained landscape film frame floats in a large empty dark field. A fine project table crosses the middle with number, title, client, category and year columns; the active row is bright while lower rows fade into near-black. A secondary project panel below uses narrow high-contrast serif title lines over film imagery. Tiny social links and a small white Contact rectangle anchor the bottom corners.
Responsive
Desktop shows the multi-column project index, centered identity and wide utility row. Tablet/phone move identity to upper left and use a two-line menu at right; the table is not visible in those narrow screenshots. A landscape video and project-detail imagery stack vertically, with a white View More action. Lower title changes44px/55px desktop to30px/37.5px phone, with18px/31.5px client/category text. Raw VIDEO bounds1172.063x672.813px desktop differ from the visibly narrower aperture, approximately728x418px by screenshot estimate. Media sampling and screenshot timing/clipping differ, so raw VIDEO bounds are not presented as the final visible frame size.
Scroll
The scroll attempt stays at actual scrollY0 with document1440x1000, while video advances to another shot. It does not establish page scrolling, project cycling or an internal wheel-driven selection. The lower project-detail panel is already partly visible at the opening; its presence cannot be attributed to the scroll attempt.

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